- Release Info -------------------------------------------------------------- -
Artist: Bon Iver
Album: Bon Iver
Label: Jagjaguwar
Playtime: 39:25 min
Genre: Indie
URL: http://boniver.org
Rip date: 2011-06-17
Street date: 2011-06-21
Size: 65.78 MB
Type: Normal
Quality: 221 kbps / 4410Hz / Joint Stereo
- Release Notes ------------------------------------------------------------- -
First it was For Emma, Forever Ago. The soul in a refraction of icicles. A
moment hanging like breath on air. And yet life û even still life û is not
still. The story is not a story if it does not unravel. Your eyes you may cast
backward, but the heart is locked in the chest and must beat forever forward.
Bon Iver, Bon Iver is the frozen beast pressing upward from a loosening earth,
one ear cocked to the echo of the ghost choir still singing, the other craving
the martial call of drums tumbling, of thrum and wheeze. The desolation smoke
has dissipated, cut with strips of brass. Celebration will not be denied, the
cabinet cannot contain the rattle, there is meat on the bones.
It's there right away, in the thicker-stringed guitar and military snare of
"Perth," and "Minnesota, WI." Anyone who had a single listen to For Emma will
peg Justin Vernon's vocals immediately, but there is a sturdiness û an
insistence û to Bon Iver, Bon Iver that allows him to escape the cabin in the
woods without burning it to the ground. "Holocene" opens with simple
finger-picking. The vocal is regret spun hollow and strung on a wire. Then the
snare-beat breaks and drives us forward and up and up until we fly silent
through the black-star night, our wreckage in view whole atmospheres below.
The vocals in "Hinnom, TX" ease to the muffled depths, while the
instrumentation remains sparse and cosmic. "Calgary" is a worship song to
everything For Emma mourned, and at the point in the final track "Beth/Rest"
when Vernon sings, "I ain't livin' in the dark no more" it is clear he isn't
dancing in the sunshine, but rather shading toward a new light.
"Bon Iver is often equated with just me," says Vernon, "but you are who
surrounds you, and for Bon Iver, Bon Iver I wanted to invite those voices as
musical catalysts." Thus on the track "Beth/Rest" and throughout the album, we
hear the pedal steel of Greg Leisz (Lucinda Williams, Bill Frisell), the
uniquely layered low end of Colin Stetson's (Tom Waits, Arcade Fire)
saxophones, the riffing of Mike Lewis' (Happy Apple, Andrew Bird) altos and
tenors, and the lush horns of C.J. Camerieri (Rufus Wainwright, Sufjan
Stevens). Bon Iver regulars Sean Carey, Mike Noyce and Matt McCaughan
contributed vocals, drums and production, Rob Moose (Antony and the Johnsons,
The National) helped with arranging and added strings, and fellow members of
Volcano Choir, Jim Schoenecker and Tom Wincek provided processing.
Bon Iver, Bon Iver was recorded and mixed at April Base Studios, a remodeled
veterinarian's clinic located in rural Fall Creek, Wisconsin. The main
recording space is constructed over a defunct indoor pool attached to the
clinic. "It's an unique space and destination; it's our home out here," says
Vernon, who purchased the structure with his brother in late 2008 with the
sole intention of converting it into his ideal recording studio. "It's been a
wonderful freedom, working in a place we built. It's also only three miles
from the house I grew up in, and just ten minutes from the bar where my
parents met." The creation of Bon Iver, Bon Iver was a three-year process, and
Vernon says the completion of the studio paralleled the completion of the
album. "I was writing and recording in the windows of time snatched between
tours in support of For Emma," he says. "When I finally came home to hunker
down for a solid stretch there was a feeling of solid ground and an
opportunity for liberation waiting in the space for me."
In the absence of solid ground, the whirlwind becomes a whirlpool, and Bon
Iver, Bon Iver is Justin Vernon returning to former haunts with a new spirit.
The reprises are there û solitude, quietude, hope and desperation compressed û
but always a rhythm arises, a pulse vivified by gratitude and grace notes,
some as bright as a bicycle bell. The winter, the legend, has faded to just
that, and this is the new momentary present. The icicles have dropped, rising
up again as grass.
- Michael Perry
- Track List ---------------------------------------------------------------- -
01. Perth ( 4:22)
02. Minnesota, WI ( 3:52)
03. Holocene ( 5:36)
04. Towers ( 3:08)
05. Michicant ( 3:45)
06. Hinnom, TX ( 2:45)
07. Wash. ( 4:58)
08. Calgary ( 4:10)
09. Lisbon, OH ( 1:33)
10. Beth/Rest ( 5:16)
- --------------------------------------------------------------------------- -
Artist: Bon Iver
Album: Bon Iver
Label: Jagjaguwar
Playtime: 39:25 min
Genre: Indie
URL: http://boniver.org
Rip date: 2011-06-17
Street date: 2011-06-21
Size: 65.78 MB
Type: Normal
Quality: 221 kbps / 4410Hz / Joint Stereo
- Release Notes ------------------------------------------------------------- -
First it was For Emma, Forever Ago. The soul in a refraction of icicles. A
moment hanging like breath on air. And yet life û even still life û is not
still. The story is not a story if it does not unravel. Your eyes you may cast
backward, but the heart is locked in the chest and must beat forever forward.
Bon Iver, Bon Iver is the frozen beast pressing upward from a loosening earth,
one ear cocked to the echo of the ghost choir still singing, the other craving
the martial call of drums tumbling, of thrum and wheeze. The desolation smoke
has dissipated, cut with strips of brass. Celebration will not be denied, the
cabinet cannot contain the rattle, there is meat on the bones.
It's there right away, in the thicker-stringed guitar and military snare of
"Perth," and "Minnesota, WI." Anyone who had a single listen to For Emma will
peg Justin Vernon's vocals immediately, but there is a sturdiness û an
insistence û to Bon Iver, Bon Iver that allows him to escape the cabin in the
woods without burning it to the ground. "Holocene" opens with simple
finger-picking. The vocal is regret spun hollow and strung on a wire. Then the
snare-beat breaks and drives us forward and up and up until we fly silent
through the black-star night, our wreckage in view whole atmospheres below.
The vocals in "Hinnom, TX" ease to the muffled depths, while the
instrumentation remains sparse and cosmic. "Calgary" is a worship song to
everything For Emma mourned, and at the point in the final track "Beth/Rest"
when Vernon sings, "I ain't livin' in the dark no more" it is clear he isn't
dancing in the sunshine, but rather shading toward a new light.
"Bon Iver is often equated with just me," says Vernon, "but you are who
surrounds you, and for Bon Iver, Bon Iver I wanted to invite those voices as
musical catalysts." Thus on the track "Beth/Rest" and throughout the album, we
hear the pedal steel of Greg Leisz (Lucinda Williams, Bill Frisell), the
uniquely layered low end of Colin Stetson's (Tom Waits, Arcade Fire)
saxophones, the riffing of Mike Lewis' (Happy Apple, Andrew Bird) altos and
tenors, and the lush horns of C.J. Camerieri (Rufus Wainwright, Sufjan
Stevens). Bon Iver regulars Sean Carey, Mike Noyce and Matt McCaughan
contributed vocals, drums and production, Rob Moose (Antony and the Johnsons,
The National) helped with arranging and added strings, and fellow members of
Volcano Choir, Jim Schoenecker and Tom Wincek provided processing.
Bon Iver, Bon Iver was recorded and mixed at April Base Studios, a remodeled
veterinarian's clinic located in rural Fall Creek, Wisconsin. The main
recording space is constructed over a defunct indoor pool attached to the
clinic. "It's an unique space and destination; it's our home out here," says
Vernon, who purchased the structure with his brother in late 2008 with the
sole intention of converting it into his ideal recording studio. "It's been a
wonderful freedom, working in a place we built. It's also only three miles
from the house I grew up in, and just ten minutes from the bar where my
parents met." The creation of Bon Iver, Bon Iver was a three-year process, and
Vernon says the completion of the studio paralleled the completion of the
album. "I was writing and recording in the windows of time snatched between
tours in support of For Emma," he says. "When I finally came home to hunker
down for a solid stretch there was a feeling of solid ground and an
opportunity for liberation waiting in the space for me."
In the absence of solid ground, the whirlwind becomes a whirlpool, and Bon
Iver, Bon Iver is Justin Vernon returning to former haunts with a new spirit.
The reprises are there û solitude, quietude, hope and desperation compressed û
but always a rhythm arises, a pulse vivified by gratitude and grace notes,
some as bright as a bicycle bell. The winter, the legend, has faded to just
that, and this is the new momentary present. The icicles have dropped, rising
up again as grass.
- Michael Perry
- Track List ---------------------------------------------------------------- -
01. Perth ( 4:22)
02. Minnesota, WI ( 3:52)
03. Holocene ( 5:36)
04. Towers ( 3:08)
05. Michicant ( 3:45)
06. Hinnom, TX ( 2:45)
07. Wash. ( 4:58)
08. Calgary ( 4:10)
09. Lisbon, OH ( 1:33)
10. Beth/Rest ( 5:16)
- --------------------------------------------------------------------------- -
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